23-10-2022, 02:05 AM
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Filmed on 35mm, frame by frame using a motion control camera and lit by lighting cameraman Peter Povey, the One's titles were cut together on one inch tape. The in-house graphics colour palette was predominantly white and very light blue, with soft shadows cleverly generated on the Quantel Paintbox, using a 40 stage sequence. The title sequence and in-house graphics were all designed by Andy Davy, assisted by Marcus Picken. I was convinced this was computer graphics for years.
Filmed on 35mm, frame by frame using a motion control camera and lit by lighting cameraman Peter Povey, the One's titles were cut together on one inch tape. The in-house graphics colour palette was predominantly white and very light blue, with soft shadows cleverly generated on the Quantel Paintbox, using a 40 stage sequence. The title sequence and in-house graphics were all designed by Andy Davy, assisted by Marcus Picken. I was convinced this was computer graphics for years.