[Spencer]

Yeah, I'm not generally a fan of cameras in shot, but the Furios do seem to be able to get away with it without being too intrusive and do sort of just work in C and E. The big lumbering electricfriends, though, just ruin every wideshot in B for me - like somebody has chosen to add a bunch of dark structural columns in front of all the key parts of sets.

I think the problem with the Electricfriends cameras is they don't look like cameras. Everyone's used to seeing cameras on screen these days, so you don't really notice the Furios.

But when you see what appears to be a Pay and Display machine gliding through a news studio, it tends to catch your eye a bit more. Maybe over time, and if more broadcasters use them in this way, we'll get used to them more and it'll be less of an issue.