[Earlie37]

Southampton's is more noticeable because of the size of the studio floor; the cameras are set back for long zooms at the top of the programme, as there is space behind them to move (I suspect, but don't quote me) the new set is installed at 90 degrees to the previous one to give as much space behind the cameras as is possible.

Russ' video gives this away but the set is the same orientation as the old one. Just having an extra metre space from the set makes a massive difference on screen. It's possible to go crazy and open the studio doors to go even further back into the set storage area but there isn't really any need  

You'll also note all the tape marks to line up the cameras with specified shots from the official guide.

You may also have noticed that the screen from the old set is also being recycled to make a useful monitor for the crew as it's only a couple of years old.