French TV - Presentation Discussion
#11

The advertisement inscription AFAIK is still used on Eurosport UK, even though the channel after Brexit is as British as it gets , licence wise.

The channels mostly have a French licence (outside of the UK), and French laws are strict: channels have to show this before the ad break starts, or something that indicates ads are coming up

This is commonly enforced in many European countries, Italy (partly), Germany, Sweden , Poland etc
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#12

(20-04-2023, 09:30 PM)Medianext.MX Wrote:  A new regional channel has launched in local TNT, targeting the Paris/IDF region. It is Le Figaro TV Île-de-France, launched on Monday, which is a joint venture between national newspaper Le Figaro and Lille-based Groupe SECOM (also part-owner of BFM Grand Lille/Grand Littoral). The channel is designed to be a Paris-friendly channel, as it leverages the Figaro news and culture newsrooms and SECOM's cultural output produced for its globally distributed Museum Channel to produce an unique mix of content mixing longform news, current affairs, debates and cultural content (most of which has been sourced from FigaroLive, its digital video platform, with some original content specific to the channel) and a mix of documentaries, concerts and reports on the Parisian cultural scene. The channel replaces a temporary Paris-specific version of the Museum Channel, launched in July 2021 after SECOM and Figaro took over the license of ViàGrandParis (bankrupt). It is available on LCN 34 Paris-wide and on regional cable; it can also be seen nationally on ISP boxes.

How did France get so right what we got so wrong - DTT in HD as standard for years now and local channels which people watch and actually thrive, plus UHD channels set to launch this year.    Meanwhile we're just about getting BBC1 regional news in HD, have closed down two HD muxes, local TV is the disaster that is never spoken about and Freeview still packed with SD channels with seemingly no plan to move forward to HD as the norm.
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#13

Because UK is much less regulated than France, it's much easier to launch a channel from an international company in France.

Everything's more tight and regulated in France, so even switching everything to HD and so on is "simpler".

The grass is always greener on the other side, anyway
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#14

(26-04-2023, 09:14 AM)F4C Wrote:  
(26-04-2023, 09:10 AM)Rdd Wrote:  Forgive me for asking but what’s a “jingle pub”? I’m hazarding a guess that it has to do with the bumpers on French TV that introduce advertising? I recall French-owned Eurosport at least used to do something similar but other than that it’s not a thing in this part of the world.
You’ve got it. Pub means “publicité”, which means advertisements. I believe the French are quite strict with advertising on TV, even more so with France Televisions as their national broadcaster.

Really strict. Arcom (the national regulator) not only handle TV and radio licensing and programming standards, but also down to advertising. Pubs for tobacco, hard alcohol products, prescription medication, arms and juridical assistance plans are outright completely banned on TV, whilst pubs for books, magazines and papers are banned on TNT channels (they are allowed on cable channels), this is done to protect regional newspapers. Cinema channels on pay TV (e.g. Ciné+, OCS) can only show trailers between films (interrupting them is outlawed).

The jingle pub is also a requirement; there is no fixed timing for them, although the duration average is around 5 seconds. Commercials must be separated by an interpub slide (often a plain coloured screen, mostly black, used by TF1 and M6 channels, but France Télévisions uses a white slide since the late 90's, and other channels use a graphic with their logo and/or graphics, either static or animated, with TV5Monde using a blue slide, a style which was standardised up until the late 90's, when most channels began to use variations after most channels began to move playout facilities out of the historic 13-15 rue Cognacq-Jay studios, where playout was centralised, an heritage of the former ORTF).

It also regulates how ads must be and when they can be shown: ads for commercial goods must not prioritise special offers, and commercial broadcasters must air up to six minutes of adverts by hour, and limit the commercial time to 144 minutes per day (that's up to 24 commercial breaks). Commercial breaks tend to be long most of the day (between 9-12 minutes in average).

Channels can also interrupt a programme when it enters within the category of films, TV movies and series, magazines, and game shows. If the programme is longer than an hour, there can be a second commercial break. Each ad break must adhere to the aforementioned rules. Often between programmes, TF1, France Télévisions and M6 have shorter commercial breaks and promo blocks to pad time before the next programme begins. That is not the case, however, in peak time slots in most channels.

France Télévisions and Canal+ are regarded as special cases: both channels can only air 4 minutes of ads per hour, and FTV's channels must offer programmes commercial-free between 20h and 6h in all channels (ads can air at any other times), this is the case since 2009. Special interest services, like LCP and Public Sénat, are banned altogether of offering commercial breaks.

(26-04-2023, 07:19 PM)Kunst Wrote:  Because UK is much less regulated than France, it's much easier to launch a channel from an international company in France.

Actually not within the TNT fold: ownership of TNT channels (either free or pay) by a non-European company is limited to 20%. That was the reason Eurosport left pay TNT in 2014 (after Warner Bros. Discovery bought a majority stake in the network before taking it over one year later). 

More of the regulations focus on content quotas: broadcasters must allocate some part of its budget to finance and produce local original series, and also finance European productions and ensure a healthy industry in the country; the same case is with the regards of French music radio, where French quotas are required in order for local songs to compete with English language music. Additionally, simulcasts are strongly discouraged, except for exceptional circumstances, like breaking news or Presidential broadcasts (allocutions). The Arcom's predecessor, the CSA, began enforcing the simulcast restrictions after D8 (recently bought by Canal+) began simulcasting i-Télé's La Matinale during its first weeks; this led to a rebuke by the CSA. It was however relaxed due to the pandemic (with TF1 simulcasting its news programming on LCI, and France 2 replacing Télématin with a simulcast of franceinfo TV's morning programme, with some added Télématin segments and features).

Even streamers have to comply with the aforementioned regulations, and also need to apply for a license to operate.
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#15

Sorry, I meant in the UK lol

I agree on everything else
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#16

(28-04-2023, 03:16 PM)Medianext.MX Wrote:  
(26-04-2023, 09:14 AM)F4C Wrote:  You’ve got it. Pub means “publicité”, which means advertisements. I believe the French are quite strict with advertising on TV, even more so with France Televisions as their national broadcaster.

Really strict. Arcom (the national regulator) not only handle TV and radio licensing and programming standards, but also down to advertising. Pubs for tobacco, hard alcohol products, prescription medication, arms and juridical assistance plans are outright completely banned on TV, whilst pubs for books, magazines and papers are banned on TNT channels (they are allowed on cable channels), this is done to protect regional newspapers. Cinema channels on pay TV (e.g. Ciné+, OCS) can only show trailers between films (interrupting them is outlawed).

The jingle pub is also a requirement; there is no fixed timing for them, although the duration average is around 5 seconds. Commercials must be separated by an interpub slide (often a plain coloured screen, mostly black, used by TF1 and M6 channels, but France Télévisions uses a white slide since the late 90's, and other channels use a graphic with their logo and/or graphics, either static or animated, with TV5Monde using a blue slide, a style which was standardised up until the late 90's, when most channels began to use variations after most channels began to move playout facilities out of the historic 13-15 rue Cognacq-Jay studios, where playout was centralised, an heritage of the former ORTF).

It also regulates how ads must be and when they can be shown: ads for commercial goods must not prioritise special offers, and commercial broadcasters must air up to six minutes of adverts by hour, and limit the commercial time to 144 minutes per day (that's up to 24 commercial breaks). Commercial breaks tend to be long most of the day (between 9-12 minutes in average).

Channels can also interrupt a programme when it enters within the category of films, TV movies and series, magazines, and game shows. If the programme is longer than an hour, there can be a second commercial break. Each ad break must adhere to the aforementioned rules. Often between programmes, TF1, France Télévisions and M6 have shorter commercial breaks and promo blocks to pad time before the next programme begins. That is not the case, however, in peak time slots in most channels.

France Télévisions and Canal+ are regarded as special cases: both channels can only air 4 minutes of ads per hour, and FTV's channels must offer programmes commercial-free between 20h and 6h in all channels (ads can air at any other times), this is the case since 2009. Special interest services, like LCP and Public Sénat, are banned altogether of offering commercial breaks.

(26-04-2023, 07:19 PM)Kunst Wrote:  Because UK is much less regulated than France, it's much easier to launch a channel from an international company in France.

Actually not within the TNT fold: ownership of TNT channels (either free or pay) by a non-European company is limited to 20%. That was the reason Eurosport left pay TNT in 2014 (after Warner Bros. Discovery bought a majority stake in the network before taking it over one year later). 

More of the regulations focus on content quotas: broadcasters must allocate some part of its budget to finance and produce local original series, and also finance European productions and ensure a healthy industry in the country; the same case is with the regards of French music radio, where French quotas are required in order for local songs to compete with English language music. Additionally, simulcasts are strongly discouraged, except for exceptional circumstances, like breaking news or Presidential broadcasts (allocutions). The Arcom's predecessor, the CSA, began enforcing the simulcast restrictions after D8 (recently bought by Canal+) began simulcasting i-Télé's La Matinale during its first weeks; this led to a rebuke by the CSA. It was however relaxed due to the pandemic (with TF1 simulcasting its news programming on LCI, and France 2 replacing Télématin with a simulcast of franceinfo TV's morning programme, with some added Télématin segments and features).

Even streamers have to comply with the aforementioned regulations, and also need to apply for a license to operate.
Can’t disagree with Arcom tbh. As we’ve seen with the introduction of 4K FTA channels on French TNT, they seem to be able to introduce technology and features whereas in the UK it turns into a squabble over everything. 

Sky having basically control over pay-TV- and a lot of influence in dictating rules regarding pay-TV- doesn’t help, although I suspect this will weaken long-term with streamers on the rise and other broadcasters making bids for sports rights.
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#17

I think France still use the older DVB-T system for HD, but I can't disagree that French DTT (TNT) is a lot better than in the UK thanks to a real proper conversion to HD along with tighter regulation over mux & LCN slots. (There are still some SD slots, LCI being the major channel still to use SD, along with some regional channels depending on mux space)

While the UK allows for more competition and less regulation over the PQ of channels, it's led to a lot of compressed low bitrate 544x576 SD streams being the norm for commercial multi-channels while there's only one HD mux that is shared between the BBC, ITV, C4 and C5.
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#18

Here's a link to Le Figaro TV's main launch programme, 'Bienvenue en IDF'. As you'd largely expect from French television, the production standards are high, lighting is professional and so is the set dressing. A pretty good effort for a newly launched local channel.

video.lefigaro.fr 
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#19

Mediawan's entertainment channel RTL9 is set to rebrand Monday. The changes take on a simplified version of the existing logo (recolored purple and blue), a higher-end and contemporary design and reenforcing its focus on airing films every night (something possible thanks to its Luxembourgian licensing) whilst adding more recent American series and procedurals during daytime. It will also add more cinema-related original editorial programming and themed blocks. The rebrand was done by Parisian agency Nude.

[Image: 73044558-50831346.jpg?v=1684914296]

youtu.be 

www.cbnews.fr 


For comparison, here's the previous brand identity, launched in August 2011, when AB was still the owner of the channel, then the channel was full of imported programming (having lost most of its originals after ceasing broadcasting its Lorraine opt-out) and had lost its identity; when Mediawan took over AB, the channel has slowly transitioned to focus on films and adding more American and European classic series, dropping the adult content block and reducing the time dedicated to paid programming.

www.youtube.com 

www.youtube.com 
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#20

(25-05-2023, 03:31 PM)Medianext.MX Wrote:  Mediawan's entertainment channel RTL9 is set to rebrand Monday. The changes take on a simplified version of the existing logo (recolored purple and blue), a higher-end and contemporary design and reenforcing its focus on airing films every night (something possible thanks to its Luxembourgian licensing) whilst adding more recent American series and procedurals during daytime. It will also add more cinema-related original editorial programming and themed blocks. The rebrand was done by Parisian agency Nude.

[Image: 73044558-50831346.jpg?v=1684914296]

youtu.be 

www.cbnews.fr 


For comparison, here's the previous brand identity, launched in August 2011, when AB was still the owner of the channel, then the channel was full of imported programming (having lost most of its originals after ceasing broadcasting its Lorraine opt-out) and had lost its identity; when Mediawan took over AB, the channel has slowly transitioned to focus on films and adding more American and European classic series, dropping the adult content block and reducing the time dedicated to paid programming.

www.youtube.com 
www.youtube.com 

Still surprised that they are keeping the RTL name though, it makes me wonder when the licensing agreement for the name RTL is going to expire
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